I was, of course, completely outvoted. The Horse and His Boy was fine, but is my least favorite.
Granted, there's no accounting for tastes, but I like to try to figure things out, and I think I came up with an explanation.
I like "high fantasy," mysterious possibilties, and epic myth--and the eucatastrophe. The Magician's Nephew offers the end of a world, the beginning of another, and a wood between the worlds of endless possibilities. So too, in a fuller way, does The Last Battle.
I think Out of the Silent Planet is fine, but Perelandra is far better--and it partakes more of the mythic. That Hideous Strength I had trouble with the first time I read it (freshman in college, I think), but I have since come to appreciate it much more. It mixes the ordinary and mythic in a way that Tolkien thinks owed a lot to Charles Williams. I think Williams generally did a better job finding the supernatural in the ordinary, but Lewis was very ambitious with T.H.S. and included many more moving peices than Williams ever did.
The Pilgrim's Regress has a mythic arc to it too, but it was one of Lewis' earlier works, and as he himself confessed, was excessively obscure. Till We Have Faces is good, and has a mythic climax, but somehow never quite caught my imagination the way some of the others did. But I've gone back to The Man Who Was Thursday many times.
That last is Chesterton.
ReplyDeleteThe Voyage of the Dawn Treader was the one that hooked me. I may like The Magician's Nephew best. I did wish he had finished The Dark Tower
Yes, Chesterton. OTOH, some of Chesterton's other novels are, though good, not mythic in the same way.
ReplyDeleteI wonder what he would have done with the Dark Tower. Weren't there other fragments that got destroyed?