Early on, he experimented with overlays of pictures or musical scores or book pages.
In a way the result was like a time projection, in which everything "happens at once", or at least all the pages do.
Later on he created pictures by overlaying stamped phrases in sunburst patterns--not readable except on the fringes. So long as you don't try to read or understand the patterns, it is reasonably abstract, but there's no communication involved.
My take-away was that art relies on what you choose, but also on what you reject. Lumping everything together loses intelligibility and beauty. It's not a mode humans are made to appreciate: God can see everything at once but we can't.
Some of his stamps:
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"QUIET! PLEASE, MAKE IT STOP!" -- David Archer, subjected to extreme sensory overload in Mass Effect 2, Overlord DLC
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